Sanna Namin's Bold Artwork Amplifies Iran's Protests with Woman Life Freedom

A shutter-shaped sculpture becomes a protest symbol. How one artist turns repression into resistance—and why her work demands attention now.

, and Administrator

2026 March 10 . 1:02 PM

1 min read

The image shows a woman standing in the center, holding a sign that reads "No Iran War" with a... — The image shows a woman standing in the center, holding a sign that reads "No Iran War" with a Statue of Liberty on her head. In the background, there are people, flags, buildings, trees, and a clear blue sky.

Sanna Namin's Bold Artwork Amplifies Iran's Protests with Woman Life Freedom

Swedish-Iranian artist Sanna Namin has created a striking new artwork in response to Iran's ongoing protests. The piece, featuring tubes shaped like a shutter, reflects the restricted lives of people under the current regime. Namin's work aims to make political struggles impossible to overlook.

Her latest project emerges during a three-week residency in Georgia with the Ria Keburia Foundation. The artist, known for her bold and urgent approach, continues to address themes of identity and resistance through sculpture and textiles.

Namin's recent artwork carries the graffiti text Woman Life Freedom—a slogan central to Iran's protest movement. The piece visually represents the constraints faced by Iranians, with its shutter-like tubes symbolising repression. Her hands-on, process-driven method often involves materials like fabric, foam, and metal, giving her work a raw, immediate quality.

The artist graduated from the Royal College of Art in 2023 and has since exhibited in London, Stockholm, and Greece. Her practice spans sculpture, performance, and textiles, frequently exploring cultural belonging and personal history. Namin's goal is to create art that feels urgent, forcing viewers to confront uncomfortable truths.

Currently based in London, she remains deeply connected to Iranian struggles. During her residency in Georgia, she is refining her artistic response to the protests while supporting fellow artists. Namin has stated her intention to keep using art as a tool for activism and solidarity.

The residency in Georgia marks another step in Namin's ongoing engagement with political and social issues. Her work, including the Woman Life Freedom piece, directly ties to the demands for basic rights in Iran. Through sculpture and performance, she continues to amplify voices that are often silenced.