Numbering of Artisanal Creations

In a thought-provoking article on the PEC's blog, Julia Bennett, Head of Research and Policy at Crafts Council, delves into the significance of the Creative Industries Sector Plan and its impact on the craft sector.

The plan, which includes key announcements on AI, Intellectual Property and Regulation, Business Models and Access to Finance, Skills, Jobs and Education, R&D and Innovation, and more, has been a topic of interest for many. Bennett emphasizes the importance of understanding the role of craft skills in product development and their contribution to economic, cultural, and social value.

One of the key points Bennett discusses is the proposed Artisan Maker SIC code, which covers a wide range of industries such as ceramics, design, furniture, glass, jewellery, metalwork, textiles, wood, artisan food and drink, and heritage cultural artefacts. This code aims to provide a more accurate representation of the craft industry within the economy, as the current SIC system does not adequately serve the craft sector, with craft industries scattered across the system.

The article also highlights the growing importance of craft makers in a changing economy of self-employment. These artisans, valued for their job satisfaction and rewards, add not only economic benefits but also contribute to the cultural and social fabric of our societies.

Jewellery, in particular, plays a significant role in the craft economy, representing about one third of current export figures, even taking the gemstone trade into account. This, along with the craft economy's size, which is greater than any of the sectors like gaming, film, or TV, underscores the importance of supporting and understanding this industry.

In addition, Bennett discusses the importance of accredited qualifications in journalism and higher education to the arts, culture, and heritage sectors. She also sheds light on the ongoing study titled "Bridging the Imagination Deficit," which focuses on the equity gap in Britain's creative industries.

Furthermore, the article touches upon a conversation between the Global North and South through the Global Creative Economy Council, emphasizing the need for a global perspective in understanding and supporting the craft economy.

Lastly, Bennett provides insight into the implications of the 2025 Spending Review for the creative industries, analysing its potential impact on business models, access to finance, skills and jobs, education, R&D and innovation, and more.

In conclusion, Bennett's article on the PEC's blog offers a comprehensive view of the Creative Industries Sector Plan and its impact on the craft sector. By providing a platform for independent, evidence-based views, the PEC's blog serves as a valuable resource for those interested in understanding and supporting the craft economy.