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Kévin Germanier’s Bold Design Universe Takes Over Lausanne’s mudac

Step into a world where beaded fantasies and plastic waste collide. This isn’t just fashion—it’s a rebellion against the ordinary, stitched with family and flair.

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2 min read
The image shows a room filled with lots of different types of art on display, including photo...
The image shows a room filled with lots of different types of art on display, including photo frames on the walls, a display screen with text and an image of a building, plants, and a sky with clouds. On the left side of the image, there is a table with various objects on it, and on the right side, there are lights illuminating the room. This image is of the Schloss Filsbeck Museum in Munich, Germany.

Kévin Germanier’s Bold Design Universe Takes Over Lausanne’s mudac

Swiss designer Kévin Germanier has unveiled his first solo exhibition at Lausanne’s Museum of Contemporary Design and Applied Arts (mudac). Titled 'Les Monstrueuses: Carte blanche to Kevin Germanier', the show runs until 22 March and immerses visitors in his bold, maximalist world. From beaded creations to recycled plastic installations, the display highlights his signature flair for extravagance and sustainability.

The exhibition opens with 'Not Dead Yet', a room showcasing looks from every stage of Germanier’s career. Pieces from his 2017 graduate collection stand alongside his latest Paris runway designs. The space serves as a vibrant timeline of his evolution as a designer.

A second room focuses on his commercial successes. Here, the Tresorium beaded handbag—one of his bestsellers—shares the spotlight with collaborations for Guerlain and Christian Louboutin. These pieces underline how Germanier balances artistry with market appeal. Elsewhere, the show offers a peek into his creative process. A recreated workroom displays personal mementos, while a fantastical 'chimera' creature—crafted from fragments of his footwear projects—takes centre stage. Another striking installation features a room blanketed in recycled coloured plastic balls, reinforcing his commitment to upcycling. Family plays a key role in the exhibition. Photos and keepsakes honour his grandmother Simone, who has long contributed to his knitwear designs. Germanier describes his maximalist aesthetic as a celebration of individuality, urging visitors to embrace their own 'monstrous' side. Beyond fashion, the designer is branching into new areas. With his ready-to-wear line paused, he is preparing a homeware collection for French retailer La Redoute, set to launch next spring. His latest venture also includes the poster for the 60th Montreux Jazz Festival, available as a limited-edition embroidered print of just six copies.

The mudac exhibition marks Germanier’s first major retrospective, blending personal history with professional milestones. Visitors leave with a clearer picture of his design philosophy—where extravagance meets sustainability. The show remains open until 22 March, offering a rare chance to explore his creative universe up close.

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